Showing posts with label Harpoon at a Venture. Show all posts
Showing posts with label Harpoon at a Venture. Show all posts

Wednesday, September 18, 2013

Harpoon At A Venture - Gavin Maxwall


Over the last couple of years I've periodically checked amazon for copies of 'Harpoon At A Venture' in the hope that someone somewhere would think to reprint it so that I could replace my much read and finally disintegrating copy. Earlier this year my wish was granted - Birlinn have just reprinted 'Harpoon at a Venture', even better a copy landed on my doorstep in a delightful and unexpected way.


I'm deeply attached to this book, I wrote about it here last year, and thought about it a lot more after reading Hebridean Sharker (also republished by Birlinn). 'Hebridean Sharker' is the book that Tex Geddes who had been part of Maxwell's crew wrote about his experience of shark fishing. Most of it takes place after his time with Maxwell and the two books compliment each other nicely. Geddes was a larger than life character and certainly a memorable element in 'Harpoon At A Venture', 'Hebridean Sharker' is full of great stories and is an entertaining book which in turn shows just how good a writer Maxwell was because 'Harpoon At A Venture' is in a different league.

I've read it many times over the years, each time finding and taking something different from it. At first I saw it basically as a tale of adventure, albeit one that ends badly, later it raised questions about conservation and the ethics of hunting, the last time I read it I thought far more about what it had to say for a generation of young men adjusting to peacetime. Maxwell was a prolific hunter during his lifetime with a youthful passion for shooting in an era where game bags reached near genocidal proportions, the impulse he acts on when he first sees a basking shark is to shoot at it (which he does, and eventually from this inauspicious beginning the idea of the shark fishery is born), even in 'Ring of Bright Water' he's having homicidal thoughts about killer whales, yet it wasn't until Maxwell's fishing operation that biologists got round to taking a really close look at basking sharks. 

It is still the war element of the book that fascinates me at the moment however. I find it hard to imagine the impact 6 years of war must have had on young men, because really what would you do with yourself if you'd come out of that to find yourself 30, with no career, and a skill set that probably doesn't fit you for office life? Shark hunting suddenly begins to look like a logical answer. For Maxwell there is also a class issue which in turn I also find fascinating; the pre and post world war for younger sons of the landed gentry must have been very different places - much of the Soay venture looks like an attempt to maintain the role of an officer and a gentleman and was likely a reason that it failed. 

'Harpoon At A Venture' brings a time and place vividly to life, regardless of how you feel about hunting sharks it's a rewarding (I think important) read. This new edition has more pictures in it than my old copy which was an unexpected bonus. It's a book I can't recommend highly enough, it's my benchmark for nature writing (and in fact for all non fiction) and is one I know I'll read many more times over the years - perhaps eventually I'll be able to write about it in a way that does it justice. 

Sunday, November 25, 2012

Ten books from the last twelve months


Last year was the first time I did this (it's quite likely I was procrastinating over organising a Christmas card list then too), it was interesting to look back and assess what books really stood out - looking at that list again tonight I wonder how many would have made the cut pitted against this years books. There were plenty of good books last year but it was quite hard work to pick ten that really stood out. This year couldn't be more different, the difficulty has been in narrowing it down to only ten - whatever else has been less than satisfactory on the last twelve months the books have been tremendous.


So once again in no particular order here are my favourites - the ones I've actually buttonholed strangers in bookshops over and tried to persuade them to buy, or bought to press on friends with utterly evangelical fervour, and if you're not already acquainted with these books you really should be...

John Sutherland's Lives Of The Novelists was a birthday present from my sister, it's great for dipping in and out of as well as for reference. I don't read much biography generally being more interested in the writing than the writer but sometimes curiosity gets the better of me. What I love about this book is that you have the basics of a career, a few key dates, a recommendation for the must read text of each author, and quite a lot of gossipy detail - everything I want in short. 

Ford Madox Ford's 'The Good Soldier' was my first successful foray into modernism, I liked it so much that it really shocked me to find that not everybody is a mad keen fan. Personally the conversational nature of the book, the narrator's chronic unreliability, and the way it bends itself to any number of interpretations were all irresistible. I'm really curious to see what I make of this book when I get round to a re-read, I have a feeling that I'll hardly recognise it and that's an exciting thought too. This has also been the year that I overcame my prejudices regarding Dickens and read 'Great Expectations' I have no idea how it compares to the rest of his oeuvre but this just totally hooked me in - what more can I say?

Shirley Conran's 'Lace' did much the same sort of thing, hands up the writing can be pretty dire, but it all bounces along in the most encouraging way and when you strip away the trash there's plenty of substance. It's not everyone who could deal with child exploitation, alcoholism, and rape in the way Conran does. There's an energy about this book that really brings the eighties back to life as well as a passionate manifesto for female friendship and saying when something just isn't good enough. 

Somewhere between 'Great Expectations' and 'Lace' lies Elizabeth Jenkins 'Harriet' (probably not entirely the company she's entirely used to keeping). There's a gothic quality to 'Harriet' that puts me in mind of 'Great Expectations' as well as a burning sense of social injustice which ties all three books together. 'Harriet' is an extraordinary book - despite knowing better I tend to think of Persephone as being a source of cosy books - this one really isn't cosy. It's shocking and provocative; almost a horror story this is a subtle examination of how ordinary enough people can find themselves doing terrible things without ever really noticing they've crossed a line until far to late. 

My love affair with Trollope continues, I'm by no means blind to his faults but I still adore him. 'Can You Forgive Her' comes with it's frustrations but it's also glorious. The heroine can't make up her mind about who to marry which leads her into all sorts of bother; honestly she's quite annoying, so happily that's not the only story line. Where Trollope excels is in creating thoroughly human and nuanced characters, whilst I'm reading his books I really feel like I'm living in his world - I just think he's wonderful. 


Back in the spring I replaced my disintegrating copy of 'Ring of Bright Water' which lead me to discover Little Toller books, from there I found first Frank Fraser Darling's 'Island Years Island Farm which felt like a book I'd been looking for for something like thirty years (ever since I grew out of Enid Blyton's island books) and then onto so many others. Islands draw me in, this account of family life in tents and huts speaks of adventure without ignoring the more mundane aspects of life on a deserted island. Gavin Maxwell's Harpoon at a Venture probably shouldn't be on this list. This is a favourite from way back, it's also out of print at the moment, but it's worth tracking down - it was Maxwell's first book and to me is probably his best. There is a rawness about that it that creates a real bond between reader and writer. It could have been all boys own adventure but I think it's a far more significant book than that. It touches on what life was like for the many ex service men who struggled with peace, and for boys who perhaps weren't quite ready to grow up. It's also a brilliant, visceral, read.


  'Findings' was a serendipitous discovery off the back of my island reading, reading it was an unexpectedly profound experience; It's one of those books that quietly encourages you to look at the world around you again and find new patterns in it. There's nothing flashy about it, it's simply a beautifully crafted piece of art that should on no account be overlooked.


Finally, and this might not come as a surprise, there is Diana Henry's Salt Sugar Smoke, in a vintage year for every sort of book that's crossed my threshold this is the One, something really special. I've mentioned it a few times but will say again; it's given me a huge amount of satisfaction already. The kitchen shelves are groaning under the weight of preserved goods waiting to go out as Christmas presents, soon the post man will be groaning under the weight of copies of 'Salt Sugar Smoke' destined to be yet more Christmas presents. Promise me you'll look at it...

Thursday, May 24, 2012

Hebridean Sharker - Tex Geddes

After my Trollope adventure I wanted a complete change of pace and as luck would have it 'Hebridean Sharker' turned up in my letter box. A month or so back I wrote about Gavin Maxwell's 'Harpoon at a Venture' (a book I love to the point that I'm prepared to be evangelical about it), having reminded myself about  just how good that book is I was intrigued to discover that Tex Geddes, Maxwell's harpoonist, had also written a book about his experiences. Even more intriguing Birlinn were in the process of reprinting it so potentially this was going to be an opportunity to learn a little bit more about Maxwell and his Soay years from someone who was there.

As it turns out Geddes once described as a cross between Ivan the Terrible and Popeye deals mostly with the years after he left Maxwell's company - and is doubtless the better for it. Geddes isn't the writer that Maxwell was, but he has great stories to tell and proceeds to tell them in a way that makes me wish he'd written more about his life - which was nothing if not adventurous. The action opens on his wedding day in 1948, The ceremony takes place in London and after missing the sleeper north on which they have reservations they manage to make it onto another train and so on to Mallaig arriving in the teeth of a blizzard and just in time for Tex to abandon his wife to go out on a lifeboat rescue mission. After a brief pause in action to explain lifeboat construction we return to Jeanne back in Mallaig listening to the trawler wave band on the radio as the message "Oban radio calling Mallaig Lifeboat...Calling Mallaig Lifeboat... Can you here me..." goes out. No reply (the boat's radio signal has been blotted out by mountains. Happily Tex is home in time for breakfast.

There's a lot of boys own adventuring here as Tex and his shipmate Johnny pursue Sharks only fractionally smaller than their trusty boat 'Traveller' - which is often in danger of being pulled apart inconveniently far from shore but there's more to the book than that. Geddes doesn't just catch sharks, to make ends meet and keep a roof over their heads he and his wife are both working, when it's not sharks it's lobsters or ring netting. They struggle to find a house at all - it's only when Jeanne negotiates to buy Soay that they do manage to find a place of their own to live in, even then it's almost derelict and as they move in the rest of the island is being evacuated.

Tex whose early life made him ideal for the commandos was clearly drawn to a way of life not entirely risk free, but the general problems he and Jeanne face, more especially after they have their son Duncan, must have been common enough amongst ex service-men, and women, grown used to a different world and impatient of re-imposed rules. 

The all action thing isn't often my cup of tea, but this book makes it work, it's worth being reminded what lifeboat men face when they turn out at night, and salutary to realise what our grandparents were prepared to do to earn a living (I'm not thinking specifically of Tex here so much as all of the marginally less colourful people he introduces the reader to). It's a good book, and using the original jacket was a great decision, it does indeed deserve it's place as a Hebridean classic. 

Sunday, March 11, 2012

Harpoon At A Venture - Gavin Maxwell

On Thursday I was in London for the  Penguin bloggers evening. This is a rare treat for me, train fares are prohibitive, and work hours have to be negotiated but this particular evening was to tempting to miss. One of the unexpected highlights was a conversation with Robert Macfarlane*, I liked 'The Wild Places' which I read long enough ago to not remember much about, and am quietly excited about his new book 'The Old Ways' (and only partly because I managed to grab a proof copy). What was really exciting though was finding that we were both very enthusiastic about Maxwell's 'Harpoon At A Venture', I've never met anyone else who's ever read it, much less loved it before and yet this is a book that deserves classic status quite as much as (if not more than) 'Ring of Bright Water'.

I've been talking about 'Harpoon At A Venture' a bit recently which made me realise it's years since I last read it and a re-visit was long overdue. When I first found this book I was in my early teens and read it as a straight adventure story, one that was particularly attractive because it was set on the west coast. Reading it this time I was surprised by how big a role the war and it's aftermath play. It all starts in an air raid in 1940, the battle of Britain is at it's height and Maxwell is stationed with 2 other officers and 200 men near the Blackwall tunnel and East India Docks. They think their moment has come one night but the bomb fails to explode, out in the crisp autumn dawn after the all clear he finds the bomb in a churchyard where he realises the crypt is being used as a shelter, opening the doors he's "hit by a stifling wave of air so noisome that I retched even at its first impact. The temperature was that of a Kew hothouse, the stench indescribable...One hundred and twelve people had been in that airless crypt for seven hours." The people in the crypt, which has become a cesspit during its occupation, are in no hurry to be disturbed, nothing has ever made the blitz seem more horrible or real to me than that description (much of which I've left out). 

Later on, after a disconcerting (for the reader) encounter with a naked guardsman in the showers, Maxwell and a friend daydream about buying Hebridean islands after the war as suitably clean and fresh alternatives to the rubble and filth of London. It's an idea that stays with him and as the war ends he negotiates to buy Soay. This is where the problems begin, for Maxwell realises from the beginning that a life of quiet retirement won't do - peacetime is dull - Soay needs a project. A chance encounter with a basking shark seems to give the answer, and it's a mark of how good a story teller Maxwell is that when you find his reaction to the shark is to shoot 300 rounds into it you're still with him. This is the start of a mission to kill a shark (the 300 rounds don't do it) and the birth of the shark fishery plan.

What follows is a chase that the sharks win again and again, until finally they succeed and catch one. For Maxwell and his crew it seems to be as much about the thrill of the chase as the catch which is perhaps why in planning terms they mess up again and again. By the time 'Harpoon At A Venture' was written he can admit that failure was almost guaranteed from the beginning of an under capitalised scheme where nobody had a clue what they were doing. It took 5 years for that to really become clear during which time Maxwell lost everything (though almost miraculously it seems he managed to protect the investment of others.)

There are echo's of that first dockland scene - a beach on Scalpay is transformed into a charnel house of dismembered sharks, the sea red with blood but this is as nothing to the contamination of Soay. The factory fails to work efficiently, the harbour fills with scum and carrion - none of the clean escapism planned in 1940, and worst of all a brine tank is tainted. Unfortunately it contained 16 tonnes of shark flesh.
 "For a wave of air so noisome, so active, and evil, it is difficult to find comparison...Ammonia, dense, suffocating, and almost visible...the smell of the Blackwall crypt seven years before was no more than a pale presage of what my illusory Island of Avalon had to offer me now... It was alive, heaving, seething, an obscene sea such as Brueghel might have conceived, alive as the sanctuary of Beelzebub himself, with a million million grubs, twisting, turning, writhing, as though beneath that surface layer of putrescence were the struggling bodies of all the wounded but resurrected dragons that we had attacked and that had escaped us." 

Despite the business failure though there is success of a sort here, it comes in the form of high adventure, life and death struggles with both the sharks and the elements, and escape from austerity Britain. There is a heartbreaking letter from a boy of 22 who finds himself trapped in a marriage to a woman he neither loves or is loved by - he's willing to throw his life savings into the shark venture in return for a job and escape.

As a piece of nature writing it's worth remembering that almost nothing was known about Basking Sharks before the Soay project - scientifically something important came out of this mess. the Hebrides in all there stark, stripped back beauty, and especially its seas are alive on the page. There are continual observations of birds and beasts of every sort, meticulous and poetic at the same time. There is also the conundrum of how to live in and off a landscape without destroying it - a question we still have no satisfactory answer for. It's a tremendous book whichever way you look at it and badly needs to be bought back into print - not least because my copy has now started to fall apart and wants replacing.

*I wish I'd taken notes when I talked to him although that would probably have been a bit off putting... A lot of books were mentioned some of which I remember, some of which I can't quite bring to mind, all sounded interesting and would have born further investigation. Still, the list I have is quite long enough to be going on with and will inevitably lead to yet more books so all is not lost.