I’ve been saving this Rhineland Mystery as a treat – I thought the combination Of John Dickson Carr and a suitably gothic Germanic setting to let himself loose on would be quite something. The promise of an Aleister Crowley like figure was also hopeful, but in the end I either wasn’t in quite the right frame of mind, or John Dickson Carr was showing a certain restraint. I think it’s more likely to be that I wasn’t in the right frame of mind because Carr does provide a castle full of secret passages perched high above the Rhine, and shaped so that it looks like a giant skull – which can hardly be thought of as restrained.
This is another Inspector Henri Bencolin mystery, Bencolin is lured from Paris by the great Belgian financier Jérôme D’Aunay, after the equally mysterious and horrifying death of his friend and host, Myron Alison (Carr definitely wasn’t holding back, Myron turned out to be almost as hard to kill as Rasputin). Both men were friends with the charismatic, unpleasant, and very successful magician, Maleger who’s body was supposedly found in the Rhine 17 years previously with yet more mystery attached.
Odd things happen on the way to the Rhine, and when Bencolin and Jeff finally arrive there’s a massive thunderstorm, all the better to appreciate the skull shaped castle in. The suspicion is that one of Myron’s house guests must have murdered him, and as everybody has been stuck in his house together suspecting each other for several days they’re not very happy. An old friend and adversary of Bencolin’s is also on the scene – his German counterpart, officially in charge of the case. The two had been spies on opposite sides during the first world war and have retained a good deal of respect and friendly rivalry.
As I describe this book I realise I’m going to have to read it again at some point, because it sounds better and better, and hopefully next time I’ll be in a better mood to appreciate all the details – of which Carr is a master. As it is the moment I really perked up was near the end when he’s describing a somewhat macabre dinner party and does a role call of Vermouth’s and Amaro’s – which made me long for any sort of aperitif suitable occasion – even a dinner party designed to flush out a murderer in a ghastly castle shaped like a skull with black onyx floors (especially such a dinner party – it would be one memorable way to end lock down).
There’s also a delightfully incongruous cocktail in production at this point – it’s not one I’m familiar with, and a quick look in my own books on the subject and online doesn’t throw up any references for it from 1931 – there’s a similar recipe that claims to be from 1960’s. At some point I’ll dig a little deeper on this – Carr’s version is simple, and I think it would be very drinkable, although I can see why Jeff Marle opts to change to Pernod after his first one. I haven’t made it yet as I don’t have an open bottle of apricot brandy to hand – but it’s 2 parts gin, 1 part apricot brandy, 1 part freshly squeezed orange juice, shaken over ice and strained into a cocktail glass.
It sounds like a decent cocktail for spring – it should allow the apricot brandy to really shine, be quite fruity, and have a hell of a kick to it. As Carr’s characters have been stuck in their own mini lockdown, a couple of relationships have come to a messy end as well as the matter of the murder under investigation it’s a clever choice – so at odds with the rest of the Gothic atmosphere and high emotion.