I've been out in the villages today so have missed National bookshop day, but as I'm no stranger to the inside of a bookshop I don't feel to badly about it, and there's always tomorrow. Meanwhile a comment from Susanna about Arnold Bennett's 'The Grand Babylon Hotel' got me thinking about that perennial question; what books would you most like to see adapted for television?
I believe there's yet another Jane Austen adaptation on its way, which I'll almost certainly watch, and probably enjoy. And I might have read about a Brontë something or other which I would also watch but with a little less enthusiasm (and also I might have imagined reading about this). I'd also add Agatha Christie to the over adapted list.
Meanwhile, Susanna is right, 'The Grand Babylon Hotel' would make excellent T.V. It's a big, colourful, romp with plenty of action, and scope for gorgeous costumes. It also breaks conveniently into 2 parts, and I'd happily watch it.
I'd also quite like to see Georgette Heyer on the television, possibly something late like 'Cousin Kate' (though its depiction of mental health issues might be problematic). The late books are generally rather less loved than the early ones, so much less danger of howling in outrage at whatever nonsense is on the screen (the really awful David Walliams take on Tommy and Tuppance comes to mind). 'Cousin Kate' (thinking about re reading it for the 1968 book club) has an oppressive, somewhat gothic atmosphere, the orphaned Kate is struggling to find a way to keep herself when she's taken in by her half aunt. There's something wrong in the house but she's not clear what it is, but when a mutilated rabbit turns up we can all guess what's coming next. Done properly it could be good.
Given the success of Elizabeth Gaskell's 'Cranford' books it's a safe bet there would be an audience for Margaret Oliphant's Carlingford Chronicles too. I love these books, not least because of the way she responds to Trollope's Barchester Chronicles in them (though that's by no means all she's doing). They absolutely deserve to be better known, and have some tremendous characters in them.
I'd really like to see some of Barbara Pym's excellent women given some screen space too. They deserve the attention, and done well would be wonderful to watch.
Meike Ziervogel's 'The Photographer', or Marie Sizun's 'Her Father's Daughter' (published by Meike's Peirene Press) would also be great. They both take a good look at fathers returning from the Second World War. 'The Photographer' is a loosely biographical account of a family from East Germany being drawn into the war, partly through an act of betrayal, and finally finding each other again in the refugee camps of the west. 'Her Father's Daughter' is French, the betrayal is of a different nature, and how families fit together again after long periods of separation is the major theme. Both books are brilliant, both offer a different view of the impact the war had on society to the one I'm used to seeing. Both would make for tense and gripping on screen drama.