Given that it's only just over an hour away from me I don't know why it took me so long to find out about Wightwick Manor (there's a list of National Trust places like this that make me think they could be doing a better job of letting people know what's out there), but now I have I'm here to spread the word.
I read about Wightwick in an article someone had posted somewhere (details are hazy) about Pre Raphaelite houses. Wightwick is on the outskirts of Wolverhampton and sounded intriguing, the reviews for the cafe were also excellent (I can personally recommend the coconut and pineapple cake). We went today, which also turned out to be a heritage open day so entry was free which was a bonus that went some way towards mitigating the cost of (William Morris themed) umbrellas. It was sunny and dry when we set out, but that didn't last.
Wightwick Manor was to be the family home of the Manders, reasonably wealthy, and rising, industrialists from Wolverhampton, with keen social consciences. The project was started in 1887, and then the size of the house was doubled between 1892-3. The Manders taste ran to the arts and crafts so the went to Morris & Co for their wallpaper and various bits of furniture.
Geoffrey Mander, who inherited the house from his parents, seems to have shared both their taste and their socialism. In 1937 he gave the house, its contents, and an endowment to the National Trust. At that time it was still technically a modern house, but it was also a well preserved piece of late Victorian taste, and it's gone on to be something more. The Manders continued to live in the house and in partnership with the Trust further built the arts and crafts and Pre Raphaelite collection - this is an ongoing process.
There are some remarkable things here; an extensive collection of Rossetti's work, pieces by Elizabeth Siddel, Burne Jones, ceramics by William de Morgan, paintings by Evelyn de Morgan (there's also an extensive exhibition of both their work in the Malt House gallery which is quite stunning). There's also a wonderful Cecil Aldin freeze around the nursery wall. There is wonderful Pre Raphaelite stained glass - and essentially I would happily move in tomorrow.
If I had a criticism, it's that it isn't always clear what your looking at, the pictures aren't labelled and though some of the rooms had lists and guides that helped answer questions, not all did. Altogether though it's a brilliant opportunity to see the art against its intended background, and see the wallpapers and textiles together. The house itself is a delightfully romantic confection full of alcoves, hidden corners, and treasures. It is well worth visiting.