Saturday, March 17, 2018

Anansi Boys - Neil Gaiman

I've been suffering under a bit of a reading block recently, especially when it comes to fiction. I keep picking things up but not quite opening them, or only getting a few pages in before getting distracted,  or knitting, or any one of a dozen different things. An early Easter has made work a bit hectic too, the wine marketing opportunities are coming thick and fast right now, and it's tiring.

There are bigger problems to have, but I suspect most of us will be familiar with the underdressed, unsettling, feeling of not having a book on the go. I've found the best cure for readers block is to either fall back in a familiar old favourite, or to dig out something different. This time I found some unread Neil Gaimans on my phones kindle app. It's not a format I particularly enjoy, but sometimes it's useful, and so there's a motley collection of things sitting on there.

I found Gaiman through Terry Pratchett, and the collaborative novel 'Good Omens' that they wrote together, and that I'm inclined to think bought out the best in both of them. After that I read my way through The Sandman graphic novels which I loved at the time (I got rid of most of my Sci-Fi in my twenties, which I just occasionally regret).

There's something about reading Gaiman's adult novels that makes me miss the pictures of the graphic works, and something else which makes me think I want to listen to these stories rather than read them.

In 'Anansi Boys' the god Anansi (I'd sort of heard some of his stories - he's a major figure in West African and Caribbean folklore, but I'm not overly familiar with him or the tradition he comes from) has died, leaving his son, Fat Charlie, a bit of a mess to sort out. What I particularly like about Gaiman is the way he uses established  folklore, myths, and legends, for so much of what he does.

It feels like a proper continuation of an oral tradition - which is why I want to hear rather than read his books; I never lost the sense of being told a story, and so never really lost myself in the book. In an ideal world you could ask the teller to embellish on certain details, and you might follow some over avenues before winding back to the main arch in this particular version.

Meanwhile the story unwinds with plenty of jokes to soften it's dark edges, it's folklore elements making it both comfortably familiar as well as providing undertones of genuine disquiet as I remember all the things in fairy tales that really frightened me as a child. There's no doubt that everything will work out more or less as it should by the end, but that doesn't mean there isn't some really nightmarish imagery along the way (things I'm grateful aren't illustrated).

8 comments:

  1. As you did, I found Gaiman through Mr Pratchett and thoroughly enjoyed Good Omens but didn't feel the need to read any of his other work until I got Stardust. I have just looked at Goodreads to see that I gave it just two stars but wrote nothing about it and, having just listened to a sample, realise that I can recall nothing about it.

    I hope that your reader's block will soon expire and you will have a decent time off at Easter to relax and get back into knitting and reading. Good luck.

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    1. Have you seen the movie version of Stardust? It's really good, I think I like it even better than the book.

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  2. I'm working all over Easter, but time off in May which I'm looking forward too. I have mixed feelings about Gaiman as a writer - I enjoy his story telling and the way things unroll, but have yet to feel particularly engaged by his novels. I like him much more when he's collaborating with an illustrator, or with Pratchett. On the other hand at least I was able to stick with this and got through it quickly (I've just finished Neverwhere as well) which is more than I've done with most the books I've picked up recently.

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  3. I've always liked the idea of Neil Gaiman more than his actual work, I wasn't really sure why but I think that that point about oral storytelling hits the nail on the head. His plots are great, he's full of ideas and clearly has an amazing imgination - all crucial for storytelling. But for me his prose is a bit unexciting and he never really gets in the heads of his characters, which I suppose are more novelisty traits. I've never read Good Omens though, I really should. :)

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    1. Good Omens is great. Or at least that's how I remember it - as being the best of both Pratchett and Gaiman. And I absolutely agree with you on not getting into the heads of his characters. The end result is that I find his books enjoyable but no more than that. Sometimes it's enough, sometimes it isn't.

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  4. The audiobook of Anansi Boys is brilliant, narrated by Lenny Henry (in the afterword of the book Gaiman mentions that he pictured Henry as Fat Charlie as he was writing the book.) He is just perfect and does all the voices wonderfully. My favorites are the little old ladies.

    Gaiman's short stories are also excellent.

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    1. I don't really listen to audiobooks, but this is one I'd love to hear. Do yo think it works better when you listen to it compared to reading it off the page?

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