A week or two back Cornflower asked for pictures that summed up a book. It’s an idea that fascinated and stumped me in equal measure. Ask a question like that and my mind goes instantly blank which annoys me all the more because I have a degree in History of Art – theoretically my memory contains a vast picture library which I ought to be able to call on at a time like this to provide something dazzlingly appropriate.
In practice it doesn’t, or at least it does contain a vast picture library (even if many of the details are a little fuzzy now) many of which are so dazzlingly appropriate that they have already been used as cover art for the books I have in mind. Some are dazzlingly inappropriate and reflect books I expect no nice girl would admit reading but that’s what comes of a liberal arts education.
Still this is something I wanted to take part in because that degree contributed a lot towards my reading tastes and preferences. I have a love of British art only partly born out of a complete and humiliating lack of ability to learn another language; it’s a love that reaches its consummation with the Victorians (though isn’t by any means confined to them), specifically in problem paintings and conversation pieces. It’s a small step from sensational canvas to sensation novel and combining the two only heightens the appreciation of both for me.
So after due thought and consideration I’m presenting Robert Braithwaite Martineau’s ‘The Last Day In The Old Home’, it doesn’t in any way illustrate ‘The Law and The Lady’ which is the book that I was trying to match to a picture but does, I think, share a lot with the average Wilkie Collins novel in terms of subject and tone. I hope you enjoy it as much as I do, and that I don’t get done for infringing copyright rules... The original is in the Tate (British not Modern), it and its brethren are not very far from the Pre Raphaelite collection but they are somewhat less popular and therefore rather easier to get up close too and have a good look at.